Buddha Image for 7 days

We have read many posts about Buddhist meaning in Nepal and Tibet. I always wonder to know the meaning about Buddha images for each day. If you visit in Thai temple you may notice the 8 Buddha statues with different gesture, they are the Buddha images for the Seven Days of the Week (wednesday have two Buddha image). You may want to know the meaning of 7 days Buddha. Buddha gestures represent certain events in the Buddha’s life. These events are thought to have occurred on certain days. The Buddha Image gestures representing these events also associated with the days on which they occurred. People, who born on a certain day of the week, may be most interested in a Buddha Image related to that day, like when commissioning a Buddha image. If you want to know which day you were born, simply click here Calendar Conversion.
Buddha Image for Sunday:
In Pensive thought, the enlightened Buddha stands with hands crossed over his abdomen (right hand over the left). The Buddha contemplates his achievement of complete knowledge under the Bodhi tree.
After enlightenment, the Buddha stood still for seven days under the Bodhi Tree to contemplate the suffering of all living things. He was tempted to enter Nirvana at once (By Mara), but he wants others to know the true doctrine, and resolves to communicate his doctrine to others.
Red is color for Sunday. People who born Sunday’s character: respectable, carefree, wise, and beloved by both friends and relatives

Buddha Image for Monday:
Preventing Calamities (This gesture is Similar as the Image for 'Stopping the relatives from fighting').
The city of Vesali was under attack by three evils: poverty, cholera and devils. Devils were roaming the city feasting on dead bodies and even people. The King of Vesali was advised to ask for the help of the Buddha.
Accepting the invitation, the Buddha with company, arrived at Vesali. With his transcendental powers, he caused heavy rain to pour down, so heavy that it cleaned the city of all dead bodies and pollution.
Later on, Ananda, his disciple went around the city, reciting portions of the Tripitika, and sprinkling holy water around the city. Suffering humans were healed, while all devils were frightened and ran away from the city.
Yellow is color for Monday. People who born Monday’s character: Good memory, serious, love to travel

(The Buddha stops the relatives from fighting or pacifying his relatives. When the Buddha came back from Heaven, he found that his relatives were quarreling about the right to use water from a river for their rice fields. The Buddha encouraged them to compromise and said that human life is much more valuable than water and it was not worth killing men for water. Then, his relatives stopped fighting.)

Buddha Image for Tuesday :
Reclining Buddha
Left arm along the body, right arm serves as a pillow with the hand supporting the head.
The reclining Buddha represents the passage to Nirvana or a resting Buddha. The gesture represents complete peace and detachment from the world. It was believed that the Buddha entered Nirvana on this day of the week.
Pink is color for Tuesday. People who born Tuesday’s character: brave, active, broad and serious mind
Buddha Image for Wednesday Morning :
Holding an alms bowl
The Buddha is standing with both hands around an alms bowl.
This symbolizes Buddha visited his family after four years in the monastery.
In the morning the Buddha went out to receive alms in the city. His father was not content when he saw the Buddha “begged” for food holding an alms bowl. Buddha explained to his father that performing pindabat, or holding an alms bowl are the lineage of Buddha. Thus, the disciples can offer their food. The virtue of giving among Buddhists is strong until today.
Green is color for Wednesday morning. People who born Wednesday’s Character: ambitious, gregarious, fun loving
Buddha Image for Wednesday Evening:
Retreat in the Forest
Buddha spent the rain retreat on his own in the Palilayaka forest because he was tired of the monks of Kosambi who had split into two groups and were not in harmony. While in the forest, the elephant Palilayaka attended to him and monkey offered him a bee hive.
Light Green is color for Wednesday evening. People who born Wednesday evening’s Character: diligent, honest, hardworking

Buddha Image for Thursday:
The Buddha is sitting in the meditation gesture. This is the perfect mental discipline. The gesture is the ultimate balance of tranquility and thoughts. It is believed that the body in the position is receptive to power or energy to enter the body from the top of the head and the opening palms.
Orange is color for Thursday. People who born Thursday’s character: honest, good heart, graceful, tranquil

Buddha Image for Friday:
In contemplation (Deeply Thinking)
Hands are crossed across the chest, right hand in front of the left.
The Buddha wonders how he can explain the cause of all suffering to others. The gesture represents a complete spiritual transformation.
Blue is color for Friday. People who born on Friday’s Character: ambitious, gregarious, fun loving

Buddha Image for Saturday:
Sitting in meditation, protected by Mucalinda's cobra hood. (Mucalinda is King of the Naga)
The Buddha is in meditation and protected from a storm by Maculinda (The King of the Naga). The image is related to the moment when a naga spreaded its hood to protect the Buddha from a rainstorm while he was in profound meditation.
Purple is color for Saturday. People who born Saturday’s Character: logical, tranquil, reclusive

Finally, there is an image often which is not specific to any day of the week, "Victory over Mara". The Buddha image is seated in meditation with the fingers of the right hand touching the earth. Buddha is confirming to all creation his imperturbability when besieged by temptation, fear, delusion and desire.
Source: Thai Buddha Image
5 Meditaion Buddha Hand Gestures(mudra) Meanings

Dhyani Buddha Amoghasiddhi

Amoghasiddhi is the 5th dhyani Buddha in order (Read The Five Dhyani Buddha). The name Amoghasiddhi means "Almighty Conqueror" or "He Who Unerringly Achieves His Goal." Amoghasiddhi's All-Accomplishing Wisdom, or Wisdom of Perfected Action, anti dotes the poison of envy and jealousy. This wisdom confers perseverance, infallible judgment and unerring action.

Amoghasiddhi represents cosmic element of samskar ( Conformation) or the practical realization of the wisdoms of the other Dhyani Buddhas. He is described as the Dhyani Buddha of the realization of the Bodhisattva Path. A Bodhisattva is one who has forgone the bliss of nirvana with a vow to first liberate all beings.

Amoghasiddhi is the Dhyani Buddha of the north. His color is green, signifying the sun at midnight. He rules over the element of air and embodies the skandha of volition, also called the skandha of mental phenomena or tendencies of mind. His symbol is the vishwavajra, or double dorje or thunderbolt (See pictire in right) . It is made of two crossed vajras and symbolizes the highest comprehension of truth and the spiritual power of a Buddha.

Amoghasiddhi's vehicle is Garuda, or throne is supported by garudas. A Garuda is a mythical figure, halfman and halfbird. In relation to Amoghasiddhi, Lama Govinda says the garuda symbolizes "man in transition towards a new dimension of consciousness,... the transition from the human to the superhuman state, which takes place in the mysterious darkness of the night, invisible to the eye. Amoghasiddhi also embodiment of rainy season. Sometimes a serpent with 7 heads forms the background as an umbrella. Infront of his Shrines, therefore, is a small squre pit or hole, which is meant for the snake.

Amoghasiddhi's mudra, formed by left hand lies open on the lap and his right hand exhibits the abhaya mudra. It is the gesture of fearlessness and protection.
Amoghasiddhi's bija is Ah and his mantra is "Om Amoghasiddhi Ah".

Visit Post About :
The Five Dhyani Buddha ,
Dhyani Buddha Vairochana ,
Dhyani Buddha Akshobhya ,
Ratnasambhava and
Dhyani Buddha Amitabha

Dhyani Buddha Amitabha

Amitabha is the most ancient Buddha among the five Dhyani buddha. He said to reside in the shukhavati heaven in peaceful meditation.
The name Amitabha means "Infinite Light." Amitabha's Discriminating Wisdom conquers the poison of the passions--all cravings, covetousness, greed and lust. With this wisdom, the disciple discerns all beings separately yet knows every being as an individual expression of the One.

In the mandala of the Dhyani Buddhas or in Stupa, Amitabha is positioned to the west. His color is rose (red), the color of the setting sun. He rules over the element of fire and personifies the skandha of perception. Thus, the eye and the faculty of seeing are associated with Amitabha. The peacock, with "eyes" on its plumes, is his throne-bearer or vehicle. The peacock symbolizes grace.

Amitabha's symbol is the Padama or lotus, placed between him and Vairochana in mandala. In Buddhism, the lotus can symbolize many things, including spiritual unfoldment, purity, the true nature of beings realized through enlightenment, and compassion, the purified form of passion. Amitabha's female consort is Pandara.

Once Avalokiteshvara fainted, Buddha Amitabha said to him, "My son where has your courage, your mental strength gone?" Amitabha picked up all the pieces of Avlokiteshwor's body and the head. At the same time he said, "this happened because of your prayer. You deserve the praise of all Buddhas since your prayer was efficacious. However, noble son! Don’t worry." Read full STORY OF 1,000 ARMS AVLOKITESHWOR

Devotees aspire to be reborn in Amitabha's Western Paradise, known as Sukhavati, where conditions are ideal for attaining enlightenment.
His mudra is the dhyana (meditation) mudra. His bija is Hrih and his mantra is Om Amitabha Hrih.
Some consider Amitabha to be synonymous with Amitayus, the Buddha of Infinite Life. Others honor Amitayus as a form of Amitabha or as a separate Buddha. Amitayus is usually depicted holding a vessel of the elixir of immortal life. As shown in this statue, a tiny ashoka-tree often sprouts from the cover of his vessel, representing the union of the spiritual and the material.
Also Visit : The Five Dhyani Buddha ,
Dhyani Buddha Vairochana ,
Dhyani Buddha Akshobhya ,
Ratnasambhava

Dhyani Buddha Ratnasambhava

Ratnasambhava is regarded third dhyani Buddha in order after Vairochana and Akshobhya . His recongition symbol is the jewel.The name Ratnasambhava means "the Jewel-born One" or "Origin of Jewels." The Three Jewels are the Buddha, the Dharma and the Sangha.
The Buddha is the Enlightened One, the Guru, the hub of the wheel of the Law. The Dharma is the Teaching, or the Law. The Sangha is the Community.
Ratnasambhava transmutes the poison of pride (spiritual, intellectual and human pride) into the Wisdom of Equality. Tibetan Buddhists teach that with the Wisdom of Equality one sees all things with divine impartiality and recognizes the divine equality of all beings. One sees all beings and the Buddha as having the same nature--a condition we need, says Tucci, "to spur our spiritual ascension and to acquire the trust to realize in ourselves the status of a Buddha."
Ratnasambhava is the Dhyani Buddha of the south. His color is yellow, the color of the sun in its zenith. Ratnasambhava rules over the element of earth and embodies the skandha of feeling or sensation.

He is sometimes shown holding his symbol, the ratna (jewel) or chintamani (wish-fulfilling jewel that grants all desires). The chintamani is a symbol of the liberated mind. The ratna is often depicted in a threefold form as the triratna signifying the union of Buddha, Dharma and Sangha. In the mandala the triratna is positioned between Ratnasambhava and Vairochana.

The animal that upholds Ratnasambhava's throne is the horse, denoting impetus and liberation. Ratnasambhava's mudra, formed here by his right hand, is the gesture of giving (varada mudra), signifying his gift of the Buddhist teachings. The gesture of giving, or charity, which portrays him offering compassion and protection to his disciples. He resides in the pure abode of Ratnavati
heaven (buddha field). His bija is Tram and his mantra is Om Ratnasambhava Tram.
Thanka in this post is a very good replica Thanka of 12 century Newari Thanka. Thanka paintings below left is The original and right thanka is available in our Store. Click Picture to see detail.
This painting is one of three existing works from a well-known set of Jina Buddhas, created by Newar artists for their Tibetan patrons.
Ratnasambhava
Newar artist in Central Tibet
Ca. first quarter of 12th century
Opaque stone color with gold on cotton canvas
H: 16 1/8 in. (41 cm) W: 13 in. (33 cm)
Los Angeles County Museum of Art, from the Nasli and Alice Heeramaneck Collection, purchased with funds provided by the Jane and Justin Dart Foundation (M.81.90.5) Original Thanka Picture Source.
Also Visit The Five Dhyani Buddha , 1st Dhyani Buddha Vairochana , 2nd Dhyani Buddha Akshobhya

Dhyani Buddha Akshobhya

Akshobhya is also one of the five Tathagatas or Dhyani Buddha, symbolizing Mirror like Wisdom (skt.adarsa jnana) which means the wisdom like space, all pervasive, without periphery and without character-istics. The name Akshobhya means "Immovable" or "Unshakable." Akshobhya's Mirrorlike Wisdom reflects all things calmly and uncritically and--reveals their true nature. He is the essence of purified form of Hatred. As in a mirror every visible object reflects so the knowledge of dharma-kaya reflects in our mind. Mirror like Wisdom antidotes the poison of hatred and anger.

In the Stupa or Mandala of the Five Dhyani Buddhas, Akshobhya is usually positioned in the east (which is at the bottom) but he is sometimes placed in the center. His color is blue. He rules over the element of water and personifies the skandha of form. In some system, he is associated with the skandha of consciousness. Akshobhya's lotus throne is supported by the elephant, symbol of steadfastness and strength.

His symbol is the vajra, also called the thunderbolt or diamond scepter. It is depicted in this mandala above his head, directly below Vairochana. The vajra denotes enlightenment, the indestructible, adamantine nature of pure consciousness, or the essence of Reality. In some traditions the vajra signifies the union of male principle and the Buddha; one end of the vajra symbolizes the macrocosmic realm of the Buddha and the other end the microcosmic realm of male principle.

Akshobhya exhibits bhumisparsha mudra, the earth-touching gesture. Shown here formed by his right hand rest on the right knee with the tip of the middle fingers touching the ground with palm drawn inwardly. It denotes unshakability. This is also the gesture of Gautam Buddha used to calling the earth for the witness to his right to attain enlightenment when he was challenged by the Evil One, Mara.

Abhirati is the Akshobhya's paradise, the Land of Exceeding Great Delight. Buddhists believe that whoever is reborn there cannot fall back to a lower level of consciousness. Akshobhya's bija is Hum and his mantra is Om Akshobhya hum.

Also Visit
The Five Dhyani Buddha ,
Dhyani Buddha Vairochana

Dhyani Buddha Vairochana

In last post we have read about the five Dhyani Buddha (Click links to read). As we know Vairochana is the First Dhyani buddha among five dhyani Buddha. So here I am going to share some short description about Vairochana. Thanka paintings on this post are hand painted and very Good quality, It is Newari Style Thanka. You can Click the pictures to see details of Thanka paintings.

Vairochana means "He Who Is Like the Sun" or "the Radiating One." Vairochana regarded as origin of the five Dhyani Buddha. His wisdom is the Wisdom of the Dharmadhatu. The Dharmadhatu ( Meaning Of DHARMADHATU ) is the Realm of Truth, in which all things exist as they really are. Vairochana's wisdom is also referred to as the All-Pervading Wisdom of the Dharmakaya. The Dharmakaya is the Body of the Law, or the absolute Buddha nature.

Vairochana's transcendent wisdom reveals the realm of highest reality and overcomes the poison of ignorance, or delusion. His wisdom is considered to be the origin of all the wisdoms of the Dhyani Buddhas.

Vairochana is usually located in the center of the stupa or mandalas of the Dhyani Buddhas. Sometimes he is placed between Akshobhya and Ratna Sambhava in the stupa. He resides always in the Akanistha heaven. According to some texts, he is positioned in the east. His color is white (or blue), symbolizing a pure consciousness. He rules over the element of ether and embodies the skandha of consciousness. In some systems, he is associated with the skandha of form.

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The Five Dhyani Buddha

The Five Dhyani Buddhas are Vairochana (White, center), Akshobhya (Blue), Ratnasambhava (Yellow), Amitabha (Red) and Amoghasiddhi (Green)
Tibetan Buddhists believe that the Adi-Buddha, the primordial and highest being, created the Dhyani Buddhas by his meditative powers. There are five Dhyani Buddha (Buddhas in Meditation). The Five Dhyani Buddhas are Vairochana (White), Akshobhya (Blue), Ratnasambhava (Yellow), Amitabha (Red) and Amoghasiddhi (Green), see thanka above .

Dhyani Buddhas are celestial Buddhas visualized during meditation. The word Dhyani is derived from the Sanskrit words dhyana, meaning "meditation." They are also called Jinas ("Victors" or "Conquerors") and are considered to be great healers of the mind and soul. Dhyani Buddhas are not historical figures, like Gautama Buddha, but transcendent beings who symbolize universal divine principles or forces. They represent various aspects of the enlightened consciousness and are guides to spiritual transformation. They are not separate Buddha, they are just abstract aspects of Buddhahood.

Dhyani Buddha are so popular in Nepal and Tibet, that they are found in every stupa, thousands of chaityas, in courtyards, and found painted in the main entrance of the Buddhist house. Of the five Dhyani Buddha the senior is Vairochana (Left Image) who occupies center of the Mandala.
Each Dhyani Buddha are associated with certain attributes and symbols. Each one embodies one of the five wisdom, which antidote the five deadly poisons that are of ultimate danger to man's spiritual progress and keep him tied to worldly existence.
Buddhists teach that the Dhyani Buddhas are able transmute the five poisons into their transcendent wisdom. The Tibetan Book of the Dead recommends that the devote meditate on the Dhyani Buddhas so that their wisdom will replace the negative forces he has allowed to take hold within.

Each Buddha rules over one of the directions of space one of the cosmic realms of ether or space, water, earth, fire and air. The Dhyani Buddhas also personify the five skandhas, components that make up cosmic existence as well as human personality. These components are consciousness, form, feeling, perception and volition.

In addition, each Dhyani Buddha is associated with a specific color, mudra (hand gesture), symbolic animal that support his throne, sacred symbol and bija (seed syllable). The bija represents the essence of the Dhyani Buddha. It can be used along with the sacred syllable Om and the Buddha's name to create mantra, a series of mystic syllables that have an esoteric meaning. In Hinduism and Buddhism, disciples recite mantras to evoke the power and presence of a divine being. In some traditions, devotees use mantras in meditation to help them be one with the deity they are invoking.


"By repeating the mantra and assuming the mudra of any Buddha," writes Buddhist monk and teacher Sangharakshita, "one can not only place oneself in correspondence or alignment with the particular order of reality which he personifies but also be infused with its transcendental power." Bhikshu Sangharakshita, A Survey of Buddhism, (Boulder, Cole.: Shambhala with London: Windhorse, 1980)

Maitreya Buddha - Future Manushi Buddha

Maitreya [The future and fifth human-Buddha], The Compassionate One
Posture of hands [Mudra]: dharmacakra [turning the wheel of law]
Symbol: kalasa [vase], cakra [wheel],
Body color: yellow or white
Emblem: naga pushpa [white flower with yellow center]

Buddhist tradition divides the period between the death of Buddha and the manifestation of Maitreya in the actual universe into three divisions of time:
I) Period of 500 years, 'the turning of the Wheel of the first Law'.
II) Period of 1,000 years, period of deterioration of 'the law of images' [Sadharma pratirupaka].
III) Period of 3000 years, 'the turning of the Wheel of the second Law', after which Maitreya will leave the Tushita heaven and come upon earth to 'establish the lost truths in all their purity.'

Maitreya is the only Bodhisattva, who is popular among all the Buddhism sects, i.e., the Theravada or Hinayana, Mahayana(Different BetweenTheravada and Mahayana Buddhism ), and the Vajrayana, and often his statues and paintings are found in all Buddhist shrines of northern and southern Buddhist.
Sakya-muni is supposed to have visited Maitreya in the Tushita heaven when he appointed him his successor, and many Buddhist sages [arhats] are believed to have had communion with him, transporting themselves by supernatural means to the Tushita heaven to seek enlightenment on various religious points. The great Asanga, one thousand years after the birth of Buddha Sakya-muni, ascended to the Tushita heaven, where Maitreya, initiated him, into the mystic doctrine of Tantra, which he grafted on to the Mahayana school in the beginning of the sixth century. Certain sects therefore look upon, Maitreya, as the founder of the Tantra school.

Although the cult of Maitreya was evolved before Indian King Asoka's time, his worship was not at its height until the fifth century AD, and there are many statues of him in the famous Gandhara sculptures of that period. He is represented either as Buddha or Boddhisattva. As Buddha he often with long hair drawn up in a knot on his head forming the ushnisha, his hands in dharmacakra mudra [turning the Wheel of the Law]; and as Boddhisattva he may be standing with his long hair hanging over his shoulders and his hands form 'argument' and 'charity' mudra [posture]. Read about Mudra at 5 Meditaion Buddha Hand Gesture(mudra)'s Meanings
Tibetan Schools of Buddhism also worship Maitreya both as Buddha and Boddhisattva. As Buddha, he has short curly hairs, the ushnisha, urna, and long lobed ears. He wears monastic garment with crown and ornaments, and his hands are in dharmacakra mudra both holding lotuses stems with cakra [Wheel] in right and kalasa vase in left. He is seated with legs locked or sometime the legs, instead of locked, are pendent, and the feet may be unsupported.

We may find some minor difference in his iconographic representation among the various sects of Buddhism. The early Mongolian images of Maitreya are also generally standing, and hold in their hands forming 'argument' and 'charity' mudra, the stems of flowers called 'campa', which, however, in the bronzes often resembles the lotus flower.

In the bas-reliefs of the temple of Boro Boedoer, there are many representations of Maitreya, which date from the ninth century. In Java Indonesia, he is also found in statuary form, as for instance in the temple of Tjandi Mendut, where he is figured seated the leg pendent and the hands in the dharmacakra mudra.
In the ancient Gandhara sculptures, Maitreya was represented much larger than his assistants were. According to the Chinese traveler Hsuan Tsang, there is a statue of Maitreya at Dardu, north of the Punjab, in wood, which is one hundred feet high. It is said to have been created by artist whom Lohan Madhyantika caused, by magic, to mount three times to the Tushita heaven to contemplate the form of Maitreya before carving the statue.

The group of five Manushi Buddha, corresponding with Panca-Dhyani-Buddha and five meditative Bodhisattvas are mentioned as below.

1:KRAKUCHANDRA is a first Manushi Buddha, who is emanated from the first Dhyani Buddha Vairocana.
2: KANAKMUNI is considered as second Manushi Buddha, emanated from second Dhyani Buddha Akshobhya.
3:KASYAPA is considered as the third Manushi Buddha being emanated from third Dhyani Buddha Ratnasambhava.
4:SAKYA-MUNI is a forth Manushi Buddha, who is emanated from fourth Dhyani Buddha Amitabha.
5:MAITREYA is the fifth Manushi Buddha, emanated from fifth Dhyani Buddha Amogasiddhi.
Read Maitreya Buddha in Thai Language

Some Statue Pictures

In This post i am going to share, Collection of Statues. These Picture are already used in different blog post in this Blog. purpose of this Collection is to gather all the statue image in one post , so it's easy to find our statues Collection. I will try to Update this Gallery by adding New statue picture. or i will make New Gallery for the new arrival Statues. but i will post a link for the New Gallery.

Please read this blog to know about meaning of different deity, gods, goddess and symbols. If you like to know more detail of these statue please Contact us at nepalartsgallery@gmail.com or 087-0426994.

I have several blog, basically you can read meanings and Stories in this blog. Most of the Pictures i upload in my New Blog http://dharmagallery.blogspot.com please Visit browse our Collection. Dharma Gallery Blog i can post Bigger size image. so we can see more detail of image.

Some Staues Just Arrived

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Goddesses of the Celestial Gallery

Hi Friends Today i am Sharing my first experience of online purchase of two books "Goddesses of the Celestial Gallery ". I bought 1 for myself and 1 for my friend.
It's Quite Huge Book about 2 feet tall . I Bought it on the web Amazone.com . this is my first time using E-service. I use master card. It's done without any problem with a big discount 37 % in a regular price .

Book Description
In the tradition of Celestial Gallery, this unique collection of striking Tibetan-style Mandala paintings(Thangka) of the Goddesses of the Celestial Gallery are presented together for the first time, in this distinctive format.

Also see Celestial Gallery In bookself Size .

Each work is hand-bound and stands two feet tall, reproduced from the master painter Romio Shrestha and his team of artisan monks, who render postmodern interpretations of an age-old Tibetan artistic tradition. Made from stone malachite, lapis and marigolds and painted at times with just three hairs of a cat’s tail, these paintings are produced in hauntingly powerful detail.

Goddesses depicted include: “the goddesses of the arts” Saraswati; “the Divine Mother” White Tara a protector and preserver; “the Protectress"Green Tara : “the Dark Goddesses” Palden Lhamo, guardian of the lineage of the Dalai Lamas; and Kali, a wild and uncontrollable consort of Shiva, a devotee of time and keeper of the shadows within ourselves.

This Is how my Book arrived

It's Come In Big two Plastic bag like this. at first I thought may be there is some other extra gift from Amazone.com . Carefully open it .
Oh !! there are lots of sealed air bags to protect my book .
This is my book first book Goddesses of the Celestial Gallery

This is second book Goddesses of the Celestial Gallery . It's come in two different package reason for quicker service. the other items shipped separately at no additional shipping cost . it's great idea but anyway i received both at same time . i highly recommend you Amazone.com. If you like to buy any books or any thing first look at Amazone.com . you will get great discount.

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